By Dexter Van Zile
For the past year, audiences of Christians in the United States and Great Britain have been treated to an anti-Israel extravaganza, With God on Our Side. Produced by Rooftop Productions in 2010, this 82-minute movie purports to be a documentary about Christian Zionism and its impact on the prospects for peace between Israel and its adversaries in the Middle East.
The movie fails as an honest documentary about the Arab-Israel conflict but as piece of propaganda, it succeeds spectacularly. Not only does it portray Israel as born in original sin and singularly responsible for the Arab-Israeli conflict, it provides a model by which young Evangelical Christians in the United States can break ranks with their faith community which is largely pro-Israel and ignore Islamist hostility toward Israel in good conscience.
The centerpiece of the movie is its narrator, Christopher Harrell. Harrell, a twenty-something graphic designer (and recent film school graduate), plays the role of an ersatz Dante as he is led by various Virgil-like commentators through the hellish aspects of the Arab-Israeli conflict. In his journey, Harrell is purged of his juvenile and unreflective support for the Jewish people and the modern state of Israel – which he got from his family. In Harrell’s first few scenes, he is shown undergoing a dark night of the soul, struggling with his conscience and incomplete understanding of the Arab-Israeli conflict with a stained glass window in the background or while sitting in a pew.